Hiroshige, another day's close

The blue lines at the top and the bottom visually pinch the work and force the viewer in the middle of the picture plane...the orange glow of the horizon line happens at the one-third mark toward the bottom...strong vertical lines run the eye up the picture plane in the form of flower stems.

Green is the glue, running through the entire picture plane, tieing it all together visually...coming up from out of the surface and growing up outside the picture plane, the flowers, stems and leaves set the picture in place...enjoying the subtle atmosphere, being present in this exact moment between day and night.