A bent and broken female form, damaged...fallen and integrated into the contrasting geometry of a chair...the human parts are a departure from the illustrative, they move beyond into the visual world. Hans Bellmer makes an effort to enhance the form for expressive purposes..This piece pushes the contrasting elements, those flowing organic female components are now combined with man made parts...a possible commentary on the imposition of the masculine and how it negatively influences the way this women could function in the plastic world.
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